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AM/FM: Amiga Musicians' Freeware Magazine 18
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AM-FM 18.adf
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Inexpensive.txt.pp
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Inexpensive.txt
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1994-03-07
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73 lines
THE INEXPENSIVE WAY TO QUALITY SAMPLING
<--------------------------------------->
written by André Meyer
Samplers were and are very expensive. In fact, most people cannot or
do not want to afford such an expensive and big sampler like the Akai
S2800, the Ensoniq ASR-10 or the Roland S760, for example. No,
actually a studio sampler is not necessary for quality, comfortable
sampling at all. Why to waste money for a device that is capable of
sampling, although your Amiga can do this? It is also much more
comfortable to edit samples on a large computer screen than on a
little LC-display!
Not long ago, not a single 16-bit sampler for the Amiga existed. But
slowly companies recognized that 8 bit is not enough for the real
musician, and they began to develop 16-bit samplers. MacroSystems is
one of the first companies that produced a 16-bit sampling card. But
with their "Maestro" they actually did not develop a sampler, but
rather a card that offers a digital input and a digital output. In
this way the Amiga can be connected to a CD-player (which has to
feature a digital output, however) or a DAT-recorder, for example, and
sound-datas can be transmitted without loss of sound quality. But
what to do if you have not got the sound that you want to sample in
digital format? Recording it through the analog input of your
DAT-recorder and then transmitting it through your Maestro-card to the
Amiga is naturally a solution, but a pretty uncomfortable and slow
procedure. MicroDeal's "Clarity 16"-sampler goes another way. It
offers two (analog) inputs and two own outputs. So you can sample
directly from any analog source.
Other sound-cards which are capable of sampling in 16-bit are
MacroSystem's new "Toccata", Amiga Oberland's "Digital Sound Machine"
and the horrable expensive cards from SunRize. Besides GVP announced
the release of their 16-bit sampler for the Amiga 1200.
Once you have sampled the sound you want into your Amiga, you can
transmit it via MIDI Sample Dump Standard to any synthesizer you want,
provided that this synthesizer - or whatsoever - supports MIDI Sample
Dump. A good and inexpensive synthesizer that does support MIDI SDS
is the Yamaha SY85, a synth with good editing options AND sample RAM
at a good price. If you do not really need a keyboard, Peavey's DPM
SP or its just launched successor DPM SP+ are the best choices, I
think. Do not misunderstand me, I really do not want to advertise for
any product here, but I think it is one of the most interesting sample
playback modules these days. Anyway, the DPM SP(+) is NOT a sampler,
but it is capable of receiving samples via MIDI SDS (as explained
above), storing them on disks through its internal 3.5" HD floppy
drive and - of course - playing them. The SP has 16 voices, an SCSI
interface, can handle stereo samples with a sampling-rate up to 41,1
kHz and comes with 2 MB on-board with a price tag at about £750, which
is really a good offer for all these features. Besides it has
synthesizer options like filters (LFOs), amplitudes, envelopes etc.,
and can be expanded up to 32 MB with standard SIMM-RAMs (I just say:
CHEEEAAAP!!!). Its successor, the DPM SP+, has got lots of other
interesting options. It has 32 voices, twice as many as the SP, can
be expanded up to 64 MB, and has got resonance filters.
Another playback synthesizer is the Akai S1000 PB, which offers the
same options like its big brother S1000, except the capability of
sampling.
You see, you do not have to miss quality sampling if you do not want
to spend so much money for a studio sampler. Of course it is usually
more comfortable to work with a real studio sampler, as it takes some
time to transmit the sample from the Amiga to the sample playback-
module. But I think it is not really that big problem. And the saved
money - about £1000! - can be invested in other music equipment.